1997 - EFILM introduces its EWorks digital color correction software designed with a proprietary viewing approach that allowed the timer to accurately match photographed and digital images at any resolution.

Their Etron software performs all the image processing needs for most jobs.

1996 - The company develops digital laboratory software that is used throughout EFILM for almost every step of the workflow including scanning, tape to film, film recording and video and digital cinema deliverables.

EFILM completed several 65 mm film recording projects including T2-3D: Battle Across Time, which open at Universal Florida in the summer of 1996. ĮFILM adds 65 mm film recording as a service for theatrical clients, theme parks, museums and other special venues. This custom built system predated most, if not all, other high resolution color timing systems. 25 minutes of special effects sequences were color timed this way under the creative direction of the film's visual effects designer, John Dykstra. The color settings were later applied to the 2K images. The digital color timing system worked in real time via proxy images and allowed for interactive primary and secondary color corrections. The images are scanned, color timed and film recorded on the company's custom systems.

1995 - The company creates the world's first 2K digital intermediate color timing sequences for Batman Forever.

1994 - EFILM adds high resolution scanning to its list of services.

1993 - EFILM offers its film recording services to commercial, music video and movie trailer producers.

develops a proprietary tape to film transfer process that creates high quality film recordings.

1989-1990 - Las Palmas Productions, Inc.( October 2012) ( Learn how and when to remove this template message) Unsourced material may be challenged and removed.

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